A narrative in two concrete slabs. The recurrent whale's tails impressions reflect individuals of acquaintance. Social as they are, the whales swim in groups, called pods. They move, migrate & hunt together. There's one in the pod, who tends to move inverse, embracing individuality.
Piece 1 I Concrete & Acrylic Paint
Piece 2 I Concrete & Acrylic Paint
Detail I Inverse
Align I Inverse
Some objects are memorabilia of past. In partial concealments they formed new objects. This is a series of wall mount pieces.
Piece 1 I Moonstone On Silver, Concrete & Acrylic Paint
Piece 2 I Tulle, Pearls & Raw Wood Frame
Piece 3 I Crochet Piece, Concrete & Acrylic Paint
Piece 4 I PLA Filament, Cologne Bottle & Acrylic Paint
Of a permanently frozen subsoil & a barren landscape. Underneath a non-existent vegetation lies an undergrowth of mosses & lichens. The terrain finds life emanating from the lifeless, seen & unseen, This is a series of formations in concrete, paper & linters.
Piece 1 I Japanese Rice Paper & Concrete
Piece 2 I Japanese Rice Paper & Concrete
Piece 3 I Concrete & Linters
Piece 4 I Concrete & Linters
Detail I Piece 4
They are heads, living discreetly on surfaces. The formations are removed from the idea of wholeness of the characters, sometimes bringing a natural element of ambiguity.
Head I Sharabha I Carving On Clay I Print On GSM Paper
Head I Navagunjara I Carving & Twine On Clay I Print On GSM Paper
Head I Makara I Carving & Shadow On Clay I Print On GSM Paper
Head I Angel Face I Painting & Twine On Frosted Glass I Print On GSM Paper
Head I Gandaberunda I Carving & Muslin On Clay I Print On GSM Paper
Head I Kurl Katcher I Painting & Rice Paper On Frosted Glass I Print On GSM Paper
Head I Peace I Impressions On Clay I Print On GSM Paper
Head I Navagunjara I Carving & Shadow On Clay I Print On GSM Paper